Renaissance polymath Leonardo da Vinci was born on April 15, 1452, in the hill town of Vinci in the Republic of Florence. He was the illegitimate son of a wealthy legal notary. His manifold interests in the laws of science and nature are reflected in his works as a painter, sculptor, inventor and draftsman. Da Vinci's name is now virtually synonymous with the "Mona Lisa," a painting he began between 1505 and 1507. The sitter is almost certainly Lisa del Giocondo, wife of a wealthy Florentine silk merchant, who probably commissioned the work to celebrate the birth of their second son. The Italian name for the painting, “La Gioconda,” means “happy" or "jovial" (literally "the jocund one"), a pun on the feminine form of the sitter's married name. Da Vinci never delivered the painting. Near the end of his life, in 1516, he was invited by King François I of France to work near his chateau in the Loire Valley, where he apparently continued to rework the portrait that is now considered beautifully odd and mysterious.
Monday, April 15, 2013
April 15 - Leonardo da Vinci
Renaissance polymath Leonardo da Vinci was born on April 15, 1452, in the hill town of Vinci in the Republic of Florence. He was the illegitimate son of a wealthy legal notary. His manifold interests in the laws of science and nature are reflected in his works as a painter, sculptor, inventor and draftsman. Da Vinci's name is now virtually synonymous with the "Mona Lisa," a painting he began between 1505 and 1507. The sitter is almost certainly Lisa del Giocondo, wife of a wealthy Florentine silk merchant, who probably commissioned the work to celebrate the birth of their second son. The Italian name for the painting, “La Gioconda,” means “happy" or "jovial" (literally "the jocund one"), a pun on the feminine form of the sitter's married name. Da Vinci never delivered the painting. Near the end of his life, in 1516, he was invited by King François I of France to work near his chateau in the Loire Valley, where he apparently continued to rework the portrait that is now considered beautifully odd and mysterious.
Subscribe to:
Post Comments (Atom)
Leonardo will always attract seekers!
ReplyDeleteWhen I was in Paris 2005, I could not visit the Louvre. But the Louvre came with sound recording equipment, which were kindly provided by the French. Found the "Mona Lisa" and began recording background sound created numerous visitors who came to see the masterpiece. The logic was simple. Allow myself to be noted that any masterpiece has the property of highly structured information field. Man - this is also, at its basis, the field structure. There is a contact of two field structures – human and masterpiece. This is probably the power of art. The sounds published the people who were in the masterpiece (talk, the shuffling of feet, etc.) were very valuable to me, they were correlated associated with him. Subjecting these records complicated transformation process, I managed to get some incredible sound. Many are led into shock - these sounds there is a clear identification with the portrait of "Mona Lisa." Similar records I've made in the famous sculpture of Venus. As a result, based on these records, I had three works - "Knowledge", "Flow" and "Communication".
http://youtu.be/rUDsL8Rg4uo
MONA LISA_VENUS(Опыт работы с шедеврами) .avi
Structure of presented video: sound background at Mona Lisa – result of transformational processing of a background, a sound background at Venus – result of transformational processing of a background, a work “Knowledge” fragment (the transformed sounds are used only).
Full details can be found on my master class
Academia of Music, Kishinev MOLDOVA http://studiomusicnew.blogspot.com
(sorry, translated by google)